REVIEW: Les Miserables - Theatre Royal, Wakefield
After
seeing Wakefield Youth Music Theatre’s production of Jesus Christ Superstar
last year, I have been eagerly awaiting their 2018 production of my all-time
favourite musical - Les Misérables. I’m
such a super fan of the show (having seen some 30+ times in the West End), I’m
often anxious about seeing amateur productions in case it taints my memories of
this phenomenal musical. However I knew this production would live up to the
previous high standards seen in Jesus Christ Superstar last year and I certainly
was not disappointed.
The
story most certainly isn’t a jolly one (as the title suggests!) and has some
challenging themes, however the young cast (aged just 9-18) of fifty local
youths delivered a flawless West-End worthy production. From
the live orchestra's overture (which alone always gets me both excited and
tearful all in one go) to the final bows, each cast member - from lead roles to
ensemble - gave 100% in their performance and there were no weak cast members. Daniel
Romano as leading role Jean Valjean along with his nemesis Javert (Joseph
Davis) set the high standards the moment they both sang their first notes
during the Prologue where we meet ex-convict and prisoner 24601 Jean Valjean as
he is granted parole but pursued by Javert.
Both Romano and Davis have such powerful and pitch perfect vocals whilst
delivering all the right emotions as they act out the channelling roles. Whilst
each lead role gave an outstanding performance this evening, it was Romano’s
moving performance and transformation from ex-convict to Mayor, to doting
father to his final days which really delivered the wow factor. I hope that Daniel will continue in musical
theatre for years to come.
Emma
Burke’s vocals as Cosette were somewhat hypnotic and soothing - she has the
voice of an angel and played the challenging role with ease. Isabel Hinchcliffe (Fantine) and
Ella Wilson (Eponine) also gave knock-out performances, a highlight for me
being Hinchcliffe belting out “I Dreamed A Dream” with such power and emotion. One
of the most iconic parts of Les Mis as a production is the stage set, and
whilst Wakefield stage isn’t designed to take the large 360 degree rotating
stage set or the large barricades which usually enter the show roughly
three-quarters into the story, the production team had managed to do their own
unique version consisting of a mainly fixed set barricade consisting of a
variety of old doors which moved at various points to recreate the Bishops
home, the streets of Paris and the bridge where Javert ends his own life. Although at first glance I wasn’t sure how or
it it would work for various scenes, it did and it worked perfectly well with
no glitches. What
I loved about this production is that the large ensemble were utilised more
frequently than in previous productions, giving everyone more opportunity to
shine; from “Beggars At The Feast” the ensemble congregating outside Cosette's
wedding to Marius - dressed in the typical workhouse clothes whilst the rich
dressed in bright fancy outfits inside the wedding to filling the streets of
Paris in “Look Down” and “Look Down/Paris”.
With
such a large ensemble it is often hard to spot each individual once let alone
spot them a few times but this production was cleverly staged so that the audience
got to see not only the talented leads but the incredible ensemble which gives
the show its “oomph”, especially in the bigger musical numbers such as “Master Of The House” and “One Day More” There
is not one thing I would have changed about this production, other than it
causing me to break my usual promise to myself each time I return to the
barricades - that promise being “I will not cry, I will NOT cry!”
The
production runs until Saturday 8th September with matinee performances on both
Saturdays. Tickets are available but are
selling like hot cakes (and after tonight I can see why!). The Box Office can be contacted on 01924
211311 or box.office@theatreroyalwakefield.co.uk A
five-star performance!
I’m
already wanting to camp outside the theatre to secure tickets to the groups
2019 production- Sister Act.
Reviewer - Lottie Davis-Browne
on - 30/8/18
We reopened this theatre from a community led group in 1986 with fond memories of its pre WW2 music hall days. The transformation into the production house that it has become is a testament to the dedicated professionals, crew and performers. Well done and thank you for the culmination with Les Miserables 2018. The youths, musicians and crew are outstanding.
ReplyDeleteGreat review x
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