Saturday, 29 August 2020

ONLINE THEATRE REVIEW: White Noise - Powerhouse Theatre Company.



Birmingham-based theatre company, Powerhouse Theatre, has joined the live online theatre realm with ‘White Noise’, a two-hander play written by Mo Gearing, performed right in our own homes via the magic of Zoom. Mo Gearing, also the co-creative director of Powerhouse Theatre, has written a humorous and poignant play which deals with current issues and hints at what may be yet to come in the near future.

The play begins with a voiceover of Boris Johnson talking of the infamous ‘invisible killer’; Coronavirus. The hour-long play then goes on to form an unlikely, yet believable and somewhat exuberant friendship between an online sex call worker Elise, or "Lady De Franco" and a lonely conservative MP David, or "Poshboy 123". We see their friendship blossom as they bicker with one another about the current global pandemic as well as share intimate details about their lives, pointing out that ‘lonely people have a way of finding each other’.  

Danielle J Gearing plays the role of Elise in this one act play, and is also the second co-creative director of Powerhouse Theatre. Gearing brings a real humour and wit to the character. Her down-to-earth nature clashes wonderfully with that of Westwood’s. This can be seen in the opening scenes in which Elise repeatedly swears, despite David politely asking her to stop. The character of David, played by Paul Westwood is also very believable. His mannerisms and tone of voice make him a very credible member of parliament. His performance was emotional, yet held an air of loftiness. These two opposing characters were fascinating to watch interact with one another, and their chemistry really resonated on screen, even despite them not performing in the same room.

Clearly a lot of rehearsal time has gone into this production as the conversations were fast-paced and clean cut with no obvious complications, which is often a miracle when internet connection is to be relied on. ‘White Noise’ brought us an entertaining hour of live theatre.

A percentage of the production’s profits are also to be donated to The Raze Collective, a new charity created to support and develop LGBTQI performance.

Reviewer - Megan Relph
on - 28/8/20

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