First, I would like to say, that
contrary to popular belief of those who know me, I don’t like to be a Negative
Nancy about films for the sake of it. Any film, well the majority of them, are
borne out of the passion, love and dreams of somebody; it takes a hell of a lot
of sweat and hard work to create even a short film, let alone a feature length
professional production; and so it is with a heavy heart to say that I found
White Lie an incredibly boring film... although everything about it was pretty
perfect.
White Lie reminded me of the 2016 Romanian
tragedy/drama film Bacalaureat,
another incredibly boring film consisting of conversational scenes where a
father lies and bribes his way into securing his daughter a place at a good
university. However, unlike Bacalaureat,
where I was bored and numbed to the point where I didn’t care for anyone or
anything, White Lie not only had me bored, but also frustrated and annoyed. If
there is a word, 'depressed' seems too strong a word for that, this film didn’t
depress me, but one of the characters are likeable whatsoever, they’re either monsters or complete imbeciles. Am I supposed to feel for Katie’s moronic
girlfriend? Should I be bothered that this contemptible doctor, who forges
Katie’s medical records, mother dies? Because I did not. The only character in
this film who had any sense of humanity was Katie’s widowed father, and he is
not portrayed much better than the rest of them.
Now when I wrote earlier that everything
about it was pretty perfect, I ought to have said that the technical side of
this film was pretty perfect. The soundtrack by Lev Lewis was good, it worked
particular well in setting an atmosphere in the film, and perfectly conveyed
the whirlwind going on towards the end of the film when Katie’s lie falls
apart. Maybe the odd bit here and there feels a bit out of place, but whether
that was down to Lev Lewis or the directors or editor I’m not sure. Again the
cinematography is great, some scenes are really beautifully lit and framed, one
scene stood out in particular around the 50 minute mark which reminded me of
the end scene in The Godfather where Kay views Michael through the door.
However, again, I feel that the odd scene here are there looked quite
desaturated which didn’t really fit the mood or didn’t achieve its intended effect as we are already aware of this big lie; it’s not like the viewer is unaware
of the deceit and is sold on this bleak cancer diagnosis. The performances were
good, any reservations I have with characterisation is more down to the writing and
direction rather than the actors' performances. Even though this film just
feels like 90 minutes of conversations, there is a healthy change in settings.
I think it would have been too much had this not been the case, you get a real
feel of the chasing up and moving about Katie has to make in order to keep up
this lie.
on - 18/12/20
No comments:
Post a Comment