Comedian Alex Horne on The Horne Section, Comedy and life......
When did you put the Horne Section together?
It was about ten years ago
when my wife was pregnant with our first child. I did a lot of things that year
- that’s when Taskmaster started as well. I think I was panicking, really.
I was really old friends
with two of the band, Joe and Ben, the trumpeter and the drummer: we were born
in the same hospital and our mums were friends and we went to the same primary
school.
They became jazz musicians
and we always hung out and watched each other’s stuff but it never occurred to
us to do anything together until Mark, the saxophonist, booked me to do a gig
at the jazz club, Ronnie Scott’s. It was just really fun, combining comedy and
jazz.
Straight away we all
thought, ‘We should do more of this’. They hooked in two more musicians and we
booked eight nights at Edinburgh Festival and that was it.
How musical were you before that point?
I had zero music ability
before then and I have zero music ability now. I have more confidence now.
Oh you’re being modest: you have musicality!
Well, thank you. I suppose
I like to think I’m not completely tone deaf. I played the french horn when I
was a kid and I went to Chichester Youth Orchestra for one week when I was
about eleven but I really wasn’t any good. I got to grade three. I only played
it because my surname is Horne.
What would the Horne Section be called if you had a
different surname?
I don’t think it would
exist. It’s nominative determinism: you know how if you’re called Mr Baker you
turn out to be good at baking? It is a good name, I think.
But no, the band are very
keen to tell me that I am not musical at all. I was very nervous the first
year. I hated it, I hated singing. Now I love it. I don’t think I’m any better
but I just go for it now.
I think most comedians
have a natural sense of rhythm and jazz has a natural sense of improvisation so
the two do go hand in hand. Hopefully they can figure out what I’m doing and I
can figure out what they’re doing.
Musical comedy has a rich history from Victoria Wood up
to Tim Minchin, but it’s been through phases of not being very fashionable. Is
it back in fashion now?
I don’t think there’s a
musical comedy circuit as such but there are plenty of comedians who use music
who you wouldn’t necessarily think of: like Bill Bailey, who was one of my
heroes from when I was at school.
Tim Minchin absolutely
brought it back to the centre of popularity but I don’t think it’s ever gone
away. Tim actually performed with us a lot at the very beginning and gave us
some credibility I suppose. He is cool: he doesn’t wear shoes and socks! We are
not as cool as him.
How do you describe the act to anyone who doesn’t know
you?
It’s nonsense, it’s silly
and fun. If I wanted to compare it to anyone I’d say it’s a bit like Harry
Hill’s live shows. I wouldn’t dream of saying we’re as good as Harry but his
style of shows which are fun and ‘anything goes’.
How much of the show is rehearsed and how much is
improvised?
Half the show is very
rehearsed, and the other half isn’t. There are five people on the stage all the
time with me who the audience can see and if they look bored, the audience will
be bored. And the band aren’t very good at acting: if they’re not enjoying it,
they will show that they’re not enjoying it. So I have to keep them amused.
So half the show is
different every night and that keeps us all happy.
How often do you rehearse?
Good question. Not very
often. We do meet up every week or two to do our podcast and that serves as a
rehearsal, I suppose. But we don’t actually rehearse strictly very much. It’s
more about keeping it fresh and keeping new ideas coming.
Once we get to the venue
and meet up, it’s just about the best fun you can have. I love it.
The podcast has been very successful, hasn’t it?
Yeah, we’re pleased. We’re
independent and we’re totally in control of it. That’s nice, not having anyone
telling us what to do.
And you’ve done lots of TV, too. Is that something
that’s grown quite organically on the back of the podcast?
It has, yes. We’d love to
do more. I think people don’t quite know what to do with us because we’re a
band and so we did Never Mind The Buzzcocks and Countdown and Last Leg. We’re
enjoying that. Hopefully one day we’ll do our own thing.
You’ve already had a two-hour special on Dave…
Yes, which was brilliant.
It was quite emotional because all of our mums came along. Joe the trumpeter
had had a baby three days before so he was all over the place. It was at the
London Palladium which is an amazing venue. It was Ken Dodd’s second home. It
felt like the right kind of venue for our stuff.
For people who saw the TV show, does that give them a
good idea of what to expect from you on this tour?
It definitely gives you a
good flavour and we are playing some old favourites. I guess we’re a band and
we do have people asking for their favourite song which is quite different from
comedy: you don’t often have people asking for their favourite joke.
So it’ll be a mixture of
old and new, which will hopefully keep everyone happy, or nobody happy.
What’s the most requested song?
Weirdly it’s a song called
Chinese Five Spice which we’re not actually playing anymore. We can’t, because
it went round our heads every night after playing and drove us all mad.
There’s a song called Seasons
which is quite a tender song.
If people ask for them,
we’ll play them.
You must have had a lot of feedback about your duet of
the Girls Aloud song Promises with
Nadine Coyle, which was on the Dave show.
I did. I went to a wedding
and the mother of the bride made me dance to it with her. I used to think I
danced really well until I watched that clip back. I don’t think Strictly Come
Dancing are going to come calling, put it that way.
My kids love Strictly and
they want me to go on it and - not that I’ve been asked - but I genuinely don’t
think I could because people on that show are really good. And i see myself
dancing awkwardly with Nadine Coyle and think, ‘Oh no’.
You often have guests on your shows. Is it quite common
for comedians to be musical?
It is, yes. Katherine Ryan
is a brilliant singer, and so is Sara Pascoe. They’re annoyingly talented, some
of these people. It’s not always the case: Tim Key is an awful singer. He can’t
come in at the right time or get anywhere near the right note.
But generally I think
comedians have a good sense of rhythm and I really enjoy stand-up with comedy.
I think one will always lift the other, even if it’s just music in the
background to comedy.
The musical tasks in Taskmaster are always a highlight,
aren’t they?
Yeah. Nish Kumar had a
great voice, and his song with Mark Watson was brilliant. Bob Mortimer was
brilliant. In fact Vic and Bob were a massive influence on me, making silly
songs out of nothing, and Bob jumped at the opportunity to write a silly song for
Taskmaster.
There will be a Taskmaster
element to the live shows. We do get people coming who are fans of that so at
some point we’ll do a task or two.
Will you have any guests joining you on stage?
We won’t and I think it’s
good that people know that actually. We used to have a guest every time but now
we know what we’re doing, and when guests come on it can occasionally make more
of a dip than a high. So no, it’s just us.
At 36 dates, is it the biggest tour you’ve ever done?
Well we’re used to being
on the road a lot and it’s 36 dates spread over 52 weeks so in terms of dates,
it’s just what we’ve always done, but it’s bigger venues.
We’ve said we don’t want
to do any Fridays or weekends and we’ll be driving back after gigs to get back
to our families. My wife has to leave the house at 4 in the morning for work so
no matter how far away we are, I have to get back before she goes. We’re not a
very rock and roll band, really.
You don’t have anything rock and roll on your rider?
We have lager, because
musicians drink an incredible amount before playing. But lager and water, and
that’s all that’s on our rider.
Can you introduce us to the band?
Sure. So Joe Auckland
plays the trumpet and banjo. He is one of my old friends from when I grew up,
and he just had a baby. He plays the trumpet with Madness and Noel Gallagher’s
High Flying Birds. One of the reasons we don’t do that many gigs is that he’s
off with them for half the year.
Mark Brown plays the saxophone for Robbie
Williams. Mark and Joe write for Girls Aloud and they play for other people: I
think Mark’s on a George Ezra song. Being friends with them does mean you get
to see some good gigs. We had a good night out in Paris with Madness which was
amazing. And I went to Wembley to watch Robbie. Although I left before Angels
came on so I could get home early.
Ben Reynolds is the other friend from school, he
just had a baby a few weeks ago. He’s a brilliant jazz musician who has very
ambitious ideas for the show which we can never quite do.
Will Collier is the bass
player and he has his own Will Collier Septet. They’re a very good band but
often there are more of them in the band than in the audience so he keeps it
real that way.
Ed Sheldrake, whose name I
always forget, he’s our temporary pianist. He doesn’t have kids, he doesn’t do
an awful lot. He’s a quiet genius. He mainly stays at home and plays computer
games.
How does the dynamic between you all work? Does it help
that you are such good friends?
I think so. I trust them
and they trust me. I really like it when they interrupt the show. If someone
plays something unexpected then the rest of us can pick it up. So for example
if someone in the front row takes their jacket off and one of them starts
playing some stripper music, I’m happy for them to do that. They can butt in
whenever they want.
If one of them makes a
mistake I will absolutely stop the show and talk to them about what just
happened. And I know they won’t take offence. It’s all part of the fun. We know
each other very well and we know what makes each other laugh.
Where do you come up with your ideas?
They just tend to pop into
my head when I’m doing something else. We have a WhatsApp group and we send
each other messages and voice messages and we all nervously wait for the
reaction from the rest of the band. If someone hacked into our WhatsApp group
they would find some dreadful, dreadful ideas being bandied about. Things that
just aren’t funny.
We’ve done songs about
bleeding a radiator, cooking an egg in under a minute. No subject is too
pedestrian for us.
How important is audience participation for your shows?
Very important. As an
audience member I always dread audience participation but I think it’s so
important. If you go to a gig, the whole thing is audience participation with
people singing along or clapping along or moshing. You don’t go to a gig
without participating.
So we do make sure people
treat it as a music gig as well as comedy gig and that does mean they will have
to do stuff. But not in an awkward way. In a fun way. I hope.
Have you noticed a big change in people’s reaction to
you over the last year or two, since Taskmaster started being nominated for
awards and so on?
It’s been very gradual and
really nice. Taskmaster is still quite a cult thing in that not everybody knows
about it but if you do know it, you really know it well. So I have noticed
people sometimes knowing who I am, but the vast majority of people still don’t.
And the reaction has only
ever been nice. It’s great. It’s lovely when people come to the Horne Section
on the back of Taskmaster. I feel like the numbers have gone up recently
because they like that show.
Will any of your celebrity mates be coming along to the
tour? Greg Davies, for example?
I don’t think Greg would
come along and if he does, he’s not allowed in the front row because six rows
behind him will have a terrible view.
Comics actually don’t tend
to watch other comics much. We prefer it when musicians come along really. The
band are genuinely really good so they quite often have musicians following
them. Like David Arnold, the guy who wrote all the music to Sherlock. He
follows us and he came on the podcast which was amazing.
We had Sir Chris Hoy on
the podcast. And Ben Shepherd is a fan.
The Horne Section continues on tour and will be at The Lowry Theatre, Salford on the 6 JUNE.
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