It must be said, there is a large difference between online theatre and seeing a live performance, but that is not to say that either is better or worse. In fact, The Bristol Old Vic’s exploration into the depths of Handel’s Messiah is beautifully sculpted to work so well within a recorded setting. Camera angles capture the parts inaccessible to the audience and close up shots allow us the detail to compliment the music.
This is less of your traditional stage show and more of a dramatised concert. Handel’s music is so wonderfully brought to life by the Erebus Ensemble and one of Europe’s most celebrated Baroque orchestras, The English Concert with the skills of Harry Bicket. The cast and crew have created a hauntingly magical performance that is enjoyable to watch or close your eyes and relax to. Right from the artistic direction of award-winning Tom Morris, to the international name of soloist Catherin Wyn Rogers, every inch of this piece is spectacular.
The show takes place over two acts, starting with a group in mourning and going on to explore their struggle. Grief plays a strong role throughout the first half, and it is not until their leader rises that we start to see a transition from grief towards hope. The dramatisation and story of loss and resurrection takes up the full intimate space of Bristol’s Old Vic, and fills a room. Not just in the theatre, but with the quality of sound and voices, it’ll feel as though you too are sat in that audience.
Originally performed in 2013 at the Bristol Proms, then again in 2017, this performance is still just as powerful in this day and age. Even for those new to entering the world of opera, theatre, or classical music, this interpretation is easy to digest and keeps the music front and centre with simple costumes and settings. Morris has managed a version of Messiah that keeps strong religious aspects at bay and allows for a relatable story of loss.
Overall, Messiah is not one to miss for classical music fans. It’s a beautiful rendition and performed in the way Handel intended, in a theatre. Currently streaming each night at 7pm, the YouTube link is free to watch whenever if you can’t sit down and make a streaming session. Make it last for the full two hours, or split this masterpiece up over half your day, the music is beautiful either way.
Reviewer - Aidan Bungey
on - 30/5/20
No comments:
Post a Comment