Wednesday, 8 June 2022

THEATRE REVIEW: Bat Out Of Hell - The Alhambra Theatre, Bradford


Arriving in the newly appointed City Of Culture for 2025, the Millennium Square outside the theatre was brimming with life and remnants of the recent jubilee festivities. As we arrived at the wonderful Alhambra Theatre, a local Harley Davidson collectors club had been invited to present their bikes, to get the audience in the mood, I assume.

Once we’d found our seats, there was a sense of excitement in the atmosphere, and when you looked around the auditorium, the demographic wasn’t your average theatre crowd, it was dad rockers, in their Iron Maiden and Meatloaf tees, and handkerchiefs tied to their jeans etc. Some 8 minutes before the show began, the cast started drifting onto the stage, sitting on the bike that was on stage, and the rock formation that was ever present throughout the show. Then a flash of lights, and we’re drawn into a gripping yet, somewhat Shakespearian beat poem. Following that, we are taken on a journey that is mostly dictated by the lyrics of the various Meatloaf songs.

I like Meatloaf as much as the next person, but unless you’re a die-hard fan, there's going to be an amount of songs in this show which will be new to you, as they were to me. As for the storyline, I’m not 100% sure what the story was, as it was a bit disjointed, but from what I worked out, it was girl loves boy, boy loves girl, girl’s wealthy father doesn’t want girl to be with boy. Girl runs away to be with boy, they marry, then boy kicks her out, then, as boy states, “I would do anything for love”, and we all go home happy.... 

It was somewhat confusing. As I said to my wife on the way home from the show, it was like Peter Pan meets the Rocky Horror Picture Show meets the Blair Witch Project, accompanied by Meatloaf music. Sadly for me, this show is a new We Will Rock You, but with music you probably don’t know.

That aside, the production was good. The cast were all great rock singers, with an impressive range from the principals. We followed the love story of Strat (Glenn Adamson) and Raven (Martha Kirby) whose controversial relationship tore apart the Falco (Rob Fowler) family, and tore apart the Lost People, which in turn, tore apart their relationship. The B story line was the rocky relationship between Falco and Sloane (Laura Johnson) who were Raven's parents. We were shown a lot of their relationship, the raunchy courting period (which was like a parody of Rocky Horror) all the way through to a messy breakup, which led Johnson’s character to run away with the lost people, but after a brief dance routine with that group, she appeared to just float around aimlessly appearing in scenes but with no real influence on the story.  

Moving on to more technical aspects of the show, the team running the sound and lighting were truly excellent. A flawless performance from that aspect, and Patrick Woodroffe (Lighting Designer) and Gareth Owen (Sound Designer) have done stellar work to bring what was probably the best light and sound display I’ve seen from a touring show. The set was interesting, as unlike many touring shows, there was just one set, no scene changes, but what we did get was a very definite split, stage left to stage right. Stage left, was a grungy tunnel opening, with urban rock formations, which was the home of the Lost People. Stage right, a high-rise block, with FALCO illuminated at the top, which housed Raven's bedroom, which was masterfully captured by an onstage camera person, and was projected on to a screen at the back of the stage. This split was a very simple, yet effective way to show the difference in class between The Lost and the Falcos.

About the bedroom scenes. This was an interesting technique, that used a 70’s filter on a camera, which fed onto the big screen, and really cleverly used 2-way mirrors as the windows/wall, so we could very clearly see into the bedroom, but the camera footage showed us the mirror side, and the use of reflections and clever angles made for a really quite impressive piece of footage, although it was somewhat Blair Witch-esque as we were watching what was being filmed in real time and on screen together.

The costume department had an amount of work on their hands for this show, as tonight’s cast of 17, (20 in the company) all had a few costume changes, which varied from police/security outfits, maids, raunchy lingerie, to a group of 12 grungy teenagers all wearing rock and roll inspired outfits, varying from low cut tees and patchwork denim to American football uniforms, with bandanas a plenty. Yet all the cast seemed to look like they belonged in this world. So, bravo to Emma Stevens and her wardrobe department.

And of course, what would a rock and roll show be without a top notch band setting the tone from beat one of the show, and by the end of the night, the whole house was up on their feet rocking along to the encore. So to MD Iestyn Griffiths, and the wonderful band, keep up the great work! Although, an acting lesson or two maybe if you’re going to make a cameo appearance on stage wouldn’t go a miss. (it was really cringeworthy).

So to conclude, Yes, I had a fun evening at the theatre, and it was wonderful to see a genuinely packed house once again. The production and production values were fantastic, and Jay Scheib’s direction was spot on. Sadly though for me, the story is so poor, that I honestly can't see myself going back to see this show again. 

Reviewer - Simon Oliver
on - 7.6.22

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