Based on the profound 1970s classic, Rain Man, famously starring Dustin Hoffman and Tom Cruise, the play follows the journey of Charlie and Raymond Babbitt who are reunited after the death of their late father. Raymond is autistic, and has not seen Charlie since he was a baby hence why Charlie is totally unaware of his existence, deeming the ‘rain man’ to be merely a figment of his imagination. But, when Charlie discovers his father’s multimillion dollar fortune has been donated to the Walbrook institution, his brother’s residence, he is determined to get ‘his half’. Although originally motivated by money, this beautiful story demonstrates the power of family and its worth.
The play explores the growth of Raymond Babbitt who was diagnosed with savant autism at 6 months old. Portrayed by Adam Lilley, this performance was flawless. The movement of his neck and chin had clearly been practised and refined and even the slight smirk in the corner of his mouth was authentic. The character was maintained throughout the performance perfectly and I was in awe of Lilley’s sheer talent and discipline. Raymond displayed characteristic of a ‘calendrical savant’, recalling every given date, even personal memories that the boys shared as young children. When Charlie recognises his brother’s remarkable memory the bond between them is unlocked and, as an audience member, I was left moved.
The set was futuristic consisting of an LED frame construction, adding depth to the stage and creating new locations instantly. The frames were organised and lit, establishing scene changes and motives such as, door frames and motel signs. This made for an intensely emotionally scene in which Charlie teaches Raymond how to dance. The scene takes place in a hotel room in Las Vegas supporting the use of LEDs to replicate the city skyline whilst also suggesting what the view might look like through the eyes of Raymond. Emotions were heightened further at this point as we are subtly reminded of the journey that Raymond has been on by the re-entry of the female lead, Susan.
Whilst the play was endearing and beautifully told, it must no be forgotten that it is based on, undoubtedly, an even more beautiful film. It is always a risk, adapting a well loved classic, particularly with the mind-set that it will ‘simply never match the original’. However, arguably the play was nostalgic and comforting despite perhaps not living up to the originally story. With the iconic 70s soundtrack and timeless theme of familial love, this play was widely loved.
Reviewer - Grace McNicholas
on - 4/2/19
I never saw the original film and this review provides a good insight into the story. The modern techniques used in the production as clearly described by the reviewer appear to have enabled a reasonable conversion to the stage. I am encouraged to see this play.
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