Theatre Review: Run at It Toothless by Mark Ravenhill Performed as part of the “Run at It Laughing” cycle - Wilton’s Hall, London.

Mark Ravenhill’s Run at It Toothless is a bold and entertaining revival of early 17th-century Italian theatre. As part of the Run at It Laughing series, the play draws on historical texts that predate Shakespeare, described by Ravenhill himself at the start of the play as “low, vulgar, naughty, very common.” That’s exactly what audiences get—an unapologetically cheeky, fast-paced performance full of innuendo and energy.

Performed by a cast of ten women seated in a straight line across the stage, the reading format initially suggests restraint, but the show quickly escapes any formal limitations. The choice to present the play in this minimalist way actually amplifies the comedic and emotional power of the work, drawing attention to the actors' facial expressions and voice work. Each performer brought a distinct personality to their role, and together they created an ensemble that kept the entire theatre in fits of laughter throughout.

While the material is centuries old, it feels surprisingly current. Ravenhill’s adaptations are clear and accessible, with a modern rhythm and pace that keep the audience engaged. The jokes may be rooted in old-world mischief, but their impact is timeless. The characters still feel true to their time, but a few modern touches in the language make it easier to connect with, without making it feel watered down or simplified.

What stood out most however, was the clear sense of joy among the performers. Their enthusiasm was infectious, creating a warm, collaborative atmosphere in the theatre. They laughed at each other’s jokes, supported one another throughout, and clearly enjoyed being on stage together. Even without traditional staging or props, the group brought the world of the play to life with charm, energy, and a strong sense of commitment.

Although Run at It Toothless is only one of ten short plays performed over two days, it worked perfectly as a standalone piece. This makes the project accessible to audiences who can’t commit to the full cycle of ten plays but still want to experience the fun. The fact that the entire cast are volunteers only adds to the show’s appeal—it’s a reminder of how exciting and entertaining community-led theatre can be when handled with care and passion.

Run at It Toothless is a sharp, funny, and refreshingly unpolished production that brings early Italian comedy back to life. It’s proof that good humour doesn’t need elaborate staging—just a great script, strong delivery, and performers who believe in the work.

With a running time of just 90 minutes, Run at It Toothless never outstayed its welcome. The pace was sharp, the laughs consistent, and the energy high from start to finish. Mark Ravenhill’s work in adapting and directing this piece is a real triumph—breathing new life into forgotten texts and proving that centuries-old comedy can still resonate with modern audiences. It was clever, engaging, and genuinely fun to watch.

The production is on a short run as part of the Weekend of Run at it Laughing at the incredible Wilton’s Hall in London.

Reviewer - Grace Curran

On - 9th May 2025