The story starts with an elderly Sam Kimura (George Takei) on Pearl Harbour Remembrance Day standing in uniform and being informed of his sister’s death. What then follows is the recollection of his youth and the story of just a few individuals from the 120,000 Japanese Americans locked in internment camps.
During a summer celebration, the Kimura family
are rounded up, their homes and valuables stripped, and sent to Heart Mountain
- a charming name for a not-so-charming place. Dust storms, no medication, and
lack of basic rights make life impossible but young Sammy Kimura (Telly Leung)
enlists at the first chance he gets with the belief that proving his allegiance
to the American people will change their perspective on the Japanese Americans.
And while Sammy believes fighting in a war is the only way to change things, his
sister Kei (Aynrand Ferrer) and father Tatsuo (Masashi Fujimoto) believe in
staying true to family and their heritage.
Despite the subject matter, the show feels light and quick, with comedy masking the darker undertones. This is not a gritty war story, this is a story of regret and love. The company as a whole are good together but I was left wishing for more personality and fewer characters that felt stereotypical and incomplete. Ferrer as Kei, however, brings a voice that stands out among the rest, and her ballads fill a room with tangible emotion. While Patrick Munday as Frankie Suzuki ends the first act as a one to watch.
Overall, Allegiance is a profoundly sentimental passion project by Takei with emotional notes scattered throughout. It doesn’t spend enough time fleshing out the reasons for its choices but by the end of the show you’d have to be made of stone to not feel the urge to reach for the tissues. It’s not a perfect war story, but instead a gentle tale of love and regret in a time of struggle. You may not remember the songs at the end of the run, but you’ll come out feeling a little more emotional than when you went it.
George Takei’s Allegiance runs from now until
April 8th at the Charing Cross Theatre.
Reviewer - Aidan Bungey
on - 17.1.23
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