In a world of
constant change, especially in recent years, with multiple crises, it is
comforting to find some things that still provide a feeling of constancy and
well-being. One such item is surely ‘The Rocky Horror Show’ which always seems
to be on tour somewhere in the country and remains largely unchanged 50 years
on from when Richard O’Brien decided to fill some time between jobs writing a
musical.
‘The
Rocky Horror Show’ is the cheeky, punk alternative to big West-End/Broadway
musicals from the likes of Lloyd-Webber and Rodgers & Hammerstein, but it is
now a big show in its own right, usually selling out large venues and gathering
new fans year on year as it enters its second half-century.
When
most of the audience already knows the script, and with so many familiar
characters and moments, the problem in presenting this show is to meet
everyone’s expectations whilst at the same time somehow appearing to be true to
the original. This production managed to achieve just that, without reinventing
the wheel. With superb staging and clear attention to detail, this was an
excellent presentation.
Every
nuance of the music made familiar in the 1975 film version was there, giving
essentially simple songs a very sophisticated feel, with a heavy dose of sax.
Interestingly, an additional song was given to Brad, akin to a Buddy Holly
slow-roller, which took the mood than for a short time (but was it penned by
Richard O’Brien?).
The
sets were a feast for the eyes, with an array of curious items (as you might expect
to find in a Frankenstein house!) thoughtfully included to enhance the right
backdrop, from a mounted Dodo’s head in the hall to a huge brain in the lab. A
nice touch was a huge translucent roll of film across the top of the set,
providing an extra singing-stage for some cast members as well as a constant
reminder that it was old sci-fi B-movies that provided much of the inspiration for
the Rocky Horror Show.
The
show’s cast was like a fully matured fine wine, with many members being old hands
in regular tours of the show. Philp Franks was outstanding as the narrator
showing remarkable ad-lib versatility in exchanges with the audience. Franks
seems to have a ready-made stock of quick-fire retorts to virtually any retort,
clearly updated regularly to include the very latest new news (in this case,
BBC presenters and waking up next to Kevin Spacey). Kristian Lavercombe was a
very memorable Riff Raff, a part he has performed well over 2,000
performances so it’s perhaps not surprising he is comfortable with the script. Stephen
Webb, also well-honed in his role as Frank N Furter, had the audience in the
palm of his hand. However, anyone familiar with the classic 1975 film version
would not be disappointed with any of the representations of all the familiar
characters in this production; ‘Rocky Horror’ is after all ultimately an
ensemble show with all the characters sparking off each other. It is also worth
noting that some members of the cast such as Ben Westwood in the role of Rocky
were relatively new to the show but you would not have known it with the
relaxed, precision feel from all concerned. Haley Flaherty and Ricard Meek
certainly worked well as Brad and Janet, with this production taking a slightly
more in-depth look than is usual at their developing relationship.
This
was a truly refreshing and enjoyable presentation of a very well-known show,
certainly giving new things for fans who know ‘Rocky Horror’ inside out as well
as presenting a more or less perfect rendition for anyone who had never seen
the show before; very highly recommended as an exciting, sexy and hilarious
night out.
Reviewer - John Waterhouse
on - 10.7.23
on - 10.7.23
Hi John,
ReplyDeleteNice review. To answer your question about Brad's song "Once in a While". It was in the original stage musical and is indeed written by Richard O'Brien.
It was cut from the movie version "The Rocky Horror Picture Show" apparently as it was thought it slowed the movie down, but has always been in the stage show.
Ah. Thanks for clarifying that. I can see why the song was cut - it wasn't bad in itself but I think slowed down the pace of the stage version a little.
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