REVIEW: Private Lives - The Little Theatre, Altrincham

If this play 'Private Lives' was a plant, it would be classed as a hardy perennial, which is a term that the writer Noel Coward could equally lay claim to. Ever since the play’s premier in 1930, it never seems to have been out of fashion, even though the social niceties, accepted morals and class distinctions make Private Lives play at first glance very dated and of its time.

What makes the appeal of Noel Coward and Private Lives in particular so enduring? An obvious answer is the superb, free-slowing dialogue. There are no drawn-out scenes or boring monologues and above all, nothing is wasted. The scenario is quickly established and play is punctuated from start to finish with sparkling wit and funny observations. This is essentially a play about just two couples and the dynamics are constantly changing, often at a moment’s notice, which means an eager anticipation is constantly maintained.

There is perhaps something else about Coward’s world which maintains a constant appeal. On the one-hand it is about the leisured life-style of the upper-classes and whilst they seem outrageously spoilt and decadent, it is a glamorous life which most of us at some time fantasise about, if only to think about how we would live it differently. On the other hand, there is a quiet satisfaction that whilst the character seems to ’have it all’, they somehow just can’t find contentment, whether in their surroundings or their relationships. Coward has a sharp eye for foibles of human nature.

Altrincham Little Theatre certainly set the tone well for the decadent lifestyle of the English elite in France around the late 20’s. A functional set provides a good backdrop for some authentic-looking costuming right down to the satin pyjamas worn by both sexes. However, what really makes this production come alive is the excellent chemistry between the members of the cast. This is a play where emotions keep changing on the turn of a card from deeply-stated infatuation to loathing and malice and then back again and the handling of these gymnastics of mood is admirable. The production features some new faces at Altrincham Little Theatre, including Alison Bowers and Phil Harrison as Amanda and Elyot, the leading couple. These are two very welcome additions to the theatre, both of whom gave smooth, polished performances. Vince Bowers, another new face as Victor Prynne, did not have the same amount of funny lines to work with but in some ways works well as a kind of straight man compared to the more flamboyant Elyot and Emil Duffy’s sensitive portrayal of Sibyl Chase contrasted well with the feisty Amanda. The numerous dynamics between the characters seem to keep changing throughout the play and a fast pace, much needed to keep this credible, was well maintained by all the cast. Credit must also be given to Little Theatre regular Kathryn Fennell, whose French maid was both funny and convincing.

Malcolm Cooper, the Director, has clearly adopted a very physical approach to the telling of this story and deserves a lot of the credit for both the pace and comedy, both of which could have suffered greatly from more static direction. generally,, this is one of the slickest productions and best overall acting from Altrincham Little Theatre for quite some time (not to denigrate in any way the theatre’s usual high standards). Don’t be put off by any thoughts of early 20th Century British stuffiness; Private Lives remains a funny, fast-moving comedy with many sharp and clever insights into human nature, regardless of social status. A very enjoyable show to watch.

Private Lives runs until Friday.

Reviewer - John Waterhouse
on - 18/11/18